The dog leapt. Its teeth clamped around my forearm. I fell to the ground, lifting my arms over my face as if protecting myself. The dog held on tight. As its teeth sunk into my arm, I let out a wail of pain and fear. I kicked feebly at the beast, my blows barely connecting with its stomach. Over my head, I heard an uproar. Someone tore the dog away, jerking my arm with it. Then the dog went limp. Its teeth fell from my arm. I looked up to see Clay standing over me, hands still wrapped around the dead dog's throat. He threw the corpse aside and dropped to his knees. I buried my head in my arms and started to sob.

"There, there," he said, pulling me close and stroking my hair. "It's all over."

He was trying hard not to laugh, his body shaking with the effort. I resisted the urge to pinch him and continued wailing. Jeremy demanded to know who owned the dog and whether its shots were up to date. The searchers' voices drowned out one another as they babbled apologies. Someone tore off to find the dog's owner. Clay and I stayed on the ground as I sobbed and he comforted me. He was enjoying this far too much, but I didn't dare stand for fear the searchers would notice that my eyes were dry and I looked remarkably composed for a woman savaged by a vicious beast.

After a few minutes, the dog's owner arrived and was none too pleased to find his prized hound lying dead in the grass. He shut up when he found out what had happened and started promising to pay for medical bills, probably fearing a lawsuit. Jeremy gave him a dressing-down over letting his dog run unleashed on private property. When Jeremy finished, the man assured him that the dog had all its shots, then quietly hauled away the carcass with the help of the younger man. This time, when Jeremy asked them all to leave the property, no one argued. When the chaos finally fell to silence, I shoved Clay off me and got to my feet.

"How's the arm?" Jeremy asked, walking toward me.

I examined the injury. There were four deep puncture wounds, still seeping blood, but the tearing was minimal. I clenched and unclenched my fist. It hurt like hell, but everything appeared to be in working order. I wasn't too concerned. Werewolves heal quickly, which is probably the reason we inflict injury on one another with such abandon.

"The first war wound," I said.

"Hopefully the last," Jeremy said dryly, taking my arm to examine the damage. "It could have been worse, I suppose."

"She did a great job," Clay said.

I glared at him. "I wouldn't have had to if you hadn't charged in ranting and raving like a lunatic. Jeremy had almost got rid of them when you showed up."

Jeremy shifted to the left, blocking my view of Clay, as if we were Siamese fighting fish that wouldn't attack if we couldn't see each other. "Come with me to the house and we'll get your arm cleaned up. Clay, there's a body under the bridge. Put it in the shed and we'll dispose of it in town tonight."

"A body?"

"A boy. Probably a runaway."

"You mean that mutt brought a body-"

"Just get it out of here before they decide to come back." Jeremy took my good arm and led me away before Clay could argue.

***

On the way back to the house, we talked. Or, I should say, Jeremy talked, I listened. The danger seemed to be escalating with each passing hour. First we'd been spotted in the city. Next we'd found a body on the property. Then we'd had a confrontation with the locals, calling attention to ourselves and probably raising suspicion. All in twelve hours. The mutt had to die. Tonight.

***

When Clay came back to the house, he wanted to talk to Jeremy and me. I found an excuse and hightailed it up to my room. I knew what he wanted to say, to apologize for screwing up, for confronting the searchers and causing trouble. Let Jeremy absolve him. That was his job, not mine.

***

After Jeremy and Clay had finished their talk, Jeremy took the others into the study to explain what had happened. Since I didn't need the instant replay, I stayed in my room and called Philip. He talked about an ad campaign he was trying to snag, something about lakefront condos. I admit I wasn't paying much attention to his words. Instead, I listened to his voice, closing my eyes and imagining I was there beside him, in a place where dead bodies in the backyard would have been cause for indescribable horror, not quick cleanup plans. I tried to think as Philip would, to feel compassion and grief for that dead boy, a life as full as my own cut short.

As Philip talked, my thoughts wandered to my night with Clay. I didn't have to work very hard to guess how Philip would feel about that. What the hell had I been thinking? I hadn't been thinking-that was the trouble. If I hadn't felt guilt a few hours ago, I felt it now, listening to Philip and picturing how he would react if he knew where I'd spent the night. I was a fool. Here I had a wonderful man who cared for me and I was screwing around with a self-absorbed, conniving monster who'd betrayed me in the worst possible way. It was a mistake I swore not to repeat.

***

After a late lunch, Jeremy took Clay for a walk to give him instructions for that night. I'd already received mine. Clay and I were going after the mutt together-I didn't have a choice in the matter, but I'd still argued. I would find the mutt and lure him out to a safe place where Clay would finish him off. It was an old routine and, as much as I hated to admit it, one that worked.

While the others were cleaning up the dishes, I slipped away. I wandered through the house and ended up in Jeremy's studio. The mid-afternoon sun danced through the leaves of the chestnut tree outside, casting pirouetting shadows on the floor.

I thumbed through a stack of canvases leaning against the wall, scenes of wolves playing and singing and sleeping together, curled up in heaps of intertwining limbs and varicolored fur. Juxtaposed with these were pictures of wolves in city alleys, watching passersby, wolves allowing children to touch them while mothers looked the other way. When Jeremy did agree to sell one of his paintings, it was the second style that earned him the big bucks. The scenes were enigmatic and surreal, painted in reds, greens, and purples so dark they looked like shades of black. Bold splashes of yellows and oranges electrified the darkness in incongruous places, like the reflection of the moon in a puddle. A dangerous subject, but Jeremy was careful, selling them under an assumed name and never making public appearances. No one outside the Pack ever came to Stonehaven, except chaperoned service people, so his paintings were safe displayed here in his studio.