Morgan didn't answer. Instead, he stared at Jeremy for two full minutes. Maybe this tactic worked on sixteen-year-old vandalism suspects, but it wasn't about to break down a fifty-one-year-old Pack Alpha. Jeremy just stared back, his expression calm and open.

After a few minutes, Jeremy said, "I'm sorry you had to make the drive out here two days in a row, but I appreciate you coming this morning to tell us."

Jeremy laid aside his mug and shifted to the edge of his seat. When Morgan and O'Neil didn't take the hint, he stood and said, "If that's everything…"

"We'll want to search the property some more," Morgan said at last.

"By all means."

"We may want to question your guests."

Morgan conducted another minute-long stare down. When Jeremy didn't so much as blink, he heaved himself to his feet.

"A killer dumped that body on your property," he said. "If I were you, I'd be trying damned hard to think of who might have done it and I'd be calling us if you come up with any answers."

"I wouldn't hesitate," Jeremy said. "I hope whoever dumped Mr. Braxton's body here hadn't any grudge against us, but if he did, I wouldn't want to ignore it and wait for his next move. No one here has any desire to tangle with a killer. We're more than happy to let the police do that."

Morgan grunted and swigged the last of his coffee.

"Anything else?" Jeremy asked.

"I wouldn't be hiking in those woods for a while."

"We've already stopped," Jeremy said. "But thank you for the warning. Elena, would you see our guests to the door?"

I did. Neither cop said a word to me, beyond Morgan's gruff good-bye. Obviously, as a female, I wasn't worth questioning.

***

After the police left, we realized Clay, Nick, and Antonio were gone. Had it been just Clay or even Clay and Nick, we would have worried. Since Antonio had gone with them, though, we knew they weren't planning any impromptu revenge in Bear Valley.

The police had been gone barely ten minutes when the Mercedes turned into the drive. Nick hopped out from the passenger side. I didn't notice who was driving, my attention being consumed by the sight of the large paper bag in Nick's hand. Breakfast. Not exactly hot and steaming after the drive from the highway diner, but I was too hungry to care.

Fifteen minutes later, the bag was empty, its contents reduced to the ghosts of crumbs and grease marks on plates scattered across the sunroom table. After the meal, Jeremy explained what the police had said. I kept expecting Clay to say something, proclaim his proven innocence and wait for me to apologize. He didn't. He listened to Jeremy, then helped Antonio clear the kitchen table while I escaped to the study, ostensibly to read the newspaper they'd brought back from town.

It took exactly three minutes for Clay to hunt me down. He walked into the study and closed the door behind him, then stood there, watching me read, for two minutes more. When I couldn't stand it any longer, I folded the paper noisily and tossed it aside.

"Okay, you didn't kill the man," I said. "For once, you were innocent. But if you expect me to apologize for thinking you were capable of doing it-"

"I don't."

I shot him a look.

Clay continued, "I don't expect you to apologize for thinking I could do it. Of course I could do it. If the guy saw us running or Changing or threatened us, I would have killed him. But I would have told you. That's what I'm pissed off about. That you'd think I'd sneak behind your back, hide the evidence, and lie about it."

"No, I guess it wouldn't occur to you that I might not want to know you did it. The thought of sparing me wouldn't enter your head."

"Sparing you?" Clay gave a harsh laugh. "You know what I am, Elena. If I pretended otherwise, you'd accuse me of trying to deceive you. I don't want you to come back to me because you think I've changed. I want you to come back because you accept what I am. If I could change, don't you think I'd have done it for you by now? I want you back. Not for a night or a few weeks or even a couple of months. I want you back for good. I'm miserable when you're not here-"

"You're miserable because you don't have what you want. Not because you want me."

"Goddamn it!" Clay swung his fist out, knocking a brass penholder off the desk. "You won't listen! You won't listen and you won't see. You know I love you, that I want you. Damn it, Elena, if I just wanted a partner, any partner, do you think I'd have spent ten years trying to get you back? Why haven't I just given up and found someone else?"

"Because you're stubborn."

"Oh, no. I'm not the stubborn one. You're the one who can't get past what I did no matter how much-"

"I don't want to talk about it."

"Of course you don't. God forbid any truth should complicate your convictions."

Clay turned and strode from the room, slamming the door behind him.

***

After Clay left, I decided to stay in the study-or hide out there, depending on the interpretation. I perused the selection on the bookshelves. It hadn't changed in the past year. Actually, it hadn't changed in the past decade. A motley collection of literature and reference books filled the shelves. Only a few of the reference books belonged to Clay. He bought every book and magazine related to his career, then trashed them as soon as he finished the last word. He didn't have a photographic memory, just the uncanny ability to absorb everything he read, making it pointless to save any form of the written word. Almost all of the books belonged to Jeremy. Over half of them weren't even in English, a throwback to Jeremy's early career as a translator.

Jeremy hadn't always been able to lavish sports cars and antique beds on his adopted family. When Clay first came to Stonehaven, Jeremy had been struggling to pay the heating bills, a situation deriving entirely from his father's spending habits and refusal to dirty his hands with any work that might generate income. Throughout Jeremy's twenties, he'd worked as a translator, an ideal occupation for someone with a gift for languages and a tendency toward reclusion. Later, the financial situation at Stonehaven took a drastic upswing, owing to twin circumstances of fortune: Malcolm Danvers's death and the launch of Jeremy's painting career. These days Jeremy sold very few paintings, but when he did, they brought in enough cash to keep Stonehaven running for several years.