Cinderella Is Dead Page 8
“Who’s too loud?” I ask, confused.
A man’s voice, shrill and grating, echoes from somewhere over my head. Heavy footsteps pound across an upstairs room. I look up as the entire structure of the house quakes. Dust, shaken free from the wooden beams crisscrossing the ceiling, falls down through the shadowy confines of the shop and settles like a fine powder on the tables and chairs. I fight the urge to pick up the boy and bolt out the door.
The boy lowers his hands, his eyes wide. “My father. He’s yelling at my mother. He’s always yelling at her.”
The light streaming through the shop windows illuminates the boy’s face. He is nearly identical to the seamstress. They share the same brown skin, dark eyes, and dimples at the outer corners of their mouths.
A loud crash followed by a woman’s scream pierces the momentary silence. I stand up, and the boy scurries back. I look out the front window and see Luke still perched on the cart.
What a man does in his home is his business. That is the rule. I should leave, but I can’t do that.
“You just stay here, all right?” I say.
“Okay,” he answers from under the table.
I creep to the rear of the shop, where a staircase leads up to the second floor. I put my hand on the rail and listen. The silence is almost as unbearable as the woman’s screams. At the top of the stairway is a door, and a soft light streams from underneath it. The stairwell is dark and shadowy, with thin shafts of light from under the door illuminating bits of dust floating in the air. I take one step up.
I don’t know what I will do when I get to the top. Knock? Call out? Can I even stop what is happening? The man’s voice sounds again, and this time I hear the words clearly.
“You’ve kept the money from me, haven’t you?” he bellows.
Then comes a woman’s voice. “No! I would never!”
“Every cent you make belongs to me.” There is a loud thump like someone ran into the door at the top of the stairs, and the door creaks open a few inches. I step up onto the landing and peek inside.
“I know that—I swear, I work hard.” The seamstress cowers against the wall of the small upstairs room. Tears stain her face. Her husband stands over her, his fists clenched.
“Then what is it? There’s so little money in this pouch I wonder why you even bother. Either you’re a terrible seamstress, or you’re keeping the money for yourself.” He flings the pouch at her, and it breaks open, sending a shower of coins tinkling to the floor.
“Everyone is having a hard time,” the woman says. “The king has taxed us so steeply that we can scarcely afford grain. Others are suffering, too, but they need to make their girls ready for the ball. I take what they can afford to give. That’s every red cent, I swear it.”
“You take what they can afford to give? What are we—a charity?”
He raises his fist, and the woman winces as if he’s already struck her. I put my hand on the door, and the floorboard groans under my weight. I cringe as the man’s head whips around. He is short and stocky but his hands are massive.
“I-I’m looking for the seamstress,” I say, trying to keep my voice from cracking.
“Who the hell are you?” He sticks out his neck and glares at me.
“My mother purchased some ribbons, but she left them here. Can you help me find them?” I look directly at the seamstress as I tuck the ribbons out of sight. “If you could, I would appreciate it.” The man steps in front of the woman, blocking my view. I scowl at him.
“Watch yourself before I send you up to the palace to be forfeited,” the man snaps.
He can do it. Any head of household could. The only person who can disagree is another head of household. Money, power, class, all those things come into play, but the founding tenet of our laws is that women, no matter their standing, are at the mercy of the fickle whims of men. That’s how little control I have over my own life. I continue to glare at him as he shuffles off to an adjoining room. The seamstress scrambles to her feet and comes rushing out the door, swiping at her eyes.
“Your son—” She grabs me by the elbow and leads me to the main room of the workshop before I have a chance to finish my sentence.
She bends down, pulls the boy out from under the table, and wraps her arms around him, all the while glancing nervously toward the back staircase. Her son melts into her, grasping her tightly and sobbing. Tears well up in my eyes, and I have a hard time figuring out if it is my anger or my absolute heartbreak for the seamstress and her son that is getting the better of me. The seamstress gently nuzzles her nose into his hair. She spots the bag of ribbons in my hand.
“I see you’ve found your missing ribbons. I’m glad you remembered to come pick them up. You’ll look lovely.” If I hadn’t seen what just happened or the welt on her cheek, her tone would have convinced me that nothing was amiss.
“I didn’t mean to intrude—or maybe I did—but I saw your son and heard your husband upstairs.” The woman’s body tenses as if she’s bracing for what I might say next.
She stands, pulling her son up with her, and straightens out his clothes. He looks to be no more than seven or eight years old, but the bags under his eyes are those of a child who’s seen too much. She kisses him and points toward the room directly across from the main work area.
“You go get something to eat. Breakfast is on the table.” She smiles at him, and he looks to the stairs and nods. He embraces her again. She looks down at the boy. “Papa knows best, my love. You will grow up to be a good man, just like him.” The boy doesn’t smile as he disappears into the other room. The seamstress straightens out her dress, avoiding my gaze.
A sigh escapes me, and the seamstress glances over, her mouth turned down. “Don’t pity us. Please. That isn’t what we need.”
“What do you need?” I ask. I step toward her. “You don’t have to— I mean— I could—”
“What could you do?” The woman laughs lightly. “Oh, you poor thing. You’re one of those girls who thinks there’s a way out, aren’t you? That something will come along and make everything better.” She sighs and shakes her head like she’s angry. “I wish there were. I swear I do. I wish I could tell you to run, to hide, but it would never work.” Her voice is so low I have to lean in close to understand. “Nothing can be done. Not a damn thing.”
I want to believe there might be a way out, but with every passing day, that feeling fades. I wonder when this woman gave up hoping.
“You’ve got your ribbons, and I’ve got work to do. You’d best be off.”
I hesitate. “You deserve more than this.” We all do.
The woman pauses. I can see a small cut over her eye. Her lips part, on the verge of saying something, but she holds back.
“Please go.”
6
I slowly walk out of the shop to find Luke standing next to the cart. “Everything all right?”
“No,” I say, climbing up and taking a seat. “Let’s go.”
Luke glances back at the shop and joins me in the cart. I’m sick to my stomach as the cart starts to move.