“Come on,” Will says instead. He turns and climbs the steps with Tate beside him. “Let’s go inside,” he decides. At the front door, Will reaches into his pocket and pulls out the house keys. He knocks first, but he doesn’t wait to be let in. As Will unlocks the door and pushes it open, Otto moves away from me, leaving me behind. I go, too, only because I don’t want to be left alone outside.

Inside we discover that the house is old, with things like mahogany paneling, heavy drapery, tin ceilings, brown-and-forest-green walls. It smells musty. It’s dark, dreary.

We crowd together in the entryway and assess the home, a traditional floor plan with the closed-in rooms. The furnishings are formal and unwelcoming.

My attention gets lost on the curved legs of the dining room table. On the tarnished candelabra that sits on top of it. On the yellowing chair pads. I hardly see her standing at the top of the stairs. Were it not for the slightest bit of movement caught out of the corner of my eye, I might never have seen her. But there she stands, a morose figure dressed in black. Black jeans, a black shirt, bare feet. Her hair is black, long with bangs that slant sideways across her face. Her eyes are outlined in a thick slash of black eyeliner. Everything black, aside from the white lettering on her shirt, which reads, I want to die. The septum of her nose is pierced. Her skin, in contrast to everything else, is white, pallid, ghostlike. She’s thin.

Tate sees her, too. At this, he moves from Will to me, hiding behind me, burrowing his face into my backside. It’s not like Tate to be scared. It’s not like me to be scared, and yet I’m well aware that the hairs on the nape of my neck now stand on end.

“Hello,” I say, my voice weak.

Will now sees her, too. His eyes go to her; he says her name. He starts climbing the steps to her, and they creak under his feet, protesting our arrival. “Imogen,” he says with arms wide, expecting, I think, that she’ll fold herself into them and let him hold her. But she doesn’t because she’s sixteen and standing before her is a man she hardly knows. I can’t fault her for this. And yet the brooding, melancholic girl was not what I’d imagined when we discovered we were given guardianship of a child.

Her voice is acidic when she speaks, quiet—she doesn’t ever raise her voice; she doesn’t need to. The muted tone is much more unsettling than if she screamed. “Stay the fuck away from me,” she says coolly.

She glowers down over the stair banister. My hands involuntarily move behind me and to Tate’s ears. Will stops where he is. He lowers his arms. Will has seen her before, just last week when he came and met with the executor of the estate. It was then that he signed the papers and took physical possession of her, though arrangements had been made for her to stay with a friend while Will, the boys and I drove here.

The girl asks, her voice angry, “Why’d you have to come?”

Will tries to tell her—the answer is easy, for were it not for us, she’d likely have entered the foster care system until she turned eighteen, unless she was granted emancipation, which seemed unlikely at her age—but an answer is not what she wants. She turns away from him, disappearing into one of the second-story rooms where we hear her futzing angrily with things. Will makes a move to follow, but I say to him, “Give her time,” and he does.

This girl is not the same as the little girl Will had shown us in the photograph. A happy-go-lucky freckled brunette of about six years old. This girl is different, much changed. The years have not been kind to her. She comes with the house, just another thing that’s been left to us in the will, mixed in with the house and the heirlooms, what assets remain in the bank. She’s sixteen, nearly able to be on her own—a moot point that I tried arguing, for certainly she had a friend or some other acquaintance who could take her in until she turned eighteen—but Will said no. With Alice dead, we were all that remained, her only family, though she and I were meeting just now for the first time. She needs to be with family, Will told me at the time, days ago only, though it feels like weeks. A family who will love and care for her. She’s all alone, Sadie. My maternal instinct had kicked in then, thinking of this orphaned child all alone in the world, with no one but us.

I hadn’t wanted to come. I’d argued that she should come to us. But there was so much more to consider, and so we came anyway, despite my reservations.

I wonder now, and not for the first time this week, what kind of disastrous effect this change will have on our family. It can’t possibly be the fresh start Will so auspiciously believes it to be.

SADIE

Seven Weeks Later...

The siren woke us at some point in the middle of the night. I heard the scream of it. I saw the dazzling lights that streamed in the bedroom window as Will grabbed his glasses from the bedside table and sat up abruptly in bed, adjusting them on the bridge of his nose.

“What’s that?” he asked, holding his breath, disoriented and confused, and I told him it was a siren. We sat hushed for a minute, listening as the wail drifted farther away, quieting down but never going completely silent. We could hear it still, stopped somewhere just down the street from our home.

“What do you think happened?” Will asked, and I thought only of the elderly couple on the block, the man who pushed his wife in a wheelchair up and down the street, though he could barely walk. They were both white-haired, wrinkled, his back curved like the hunchback of Notre Dame. He always looked tired to me, like maybe she was the one who should be doing the pushing. It didn’t help that our street was steep, a decline to the ocean below.

“The Nilssons,” Will and I said at the same time, and if there was a lack of empathy in our voices it’s because this is what is expected of older people. They get injured, sick; they die.

“What time is it?” I asked Will, but by then he’d returned his glasses to the bedside table and said to me, “I don’t know,” as he pressed in closely and folded an arm around my waistline, and I felt the subconscious pull of my body from his.