“Two thousand percent,” he says. “It will be the longest detainment period in Europe.”

“Well, we’re able to make these decisions independently, to respond to our own particular circumstances.”

John says to me, “Do you have music for the end?”

“I’ll send it to you.”

Nicholas asks about other particulars of the bill, then turns to the threats made against her. She brushes them off, making a joke about the security preparations that must be in place for her to attend one of her son’s rugby games.

With a few minutes left, I press the microphone again. “You wanted to ask her about the pamphlets.”

“Let’s talk about the mailings your party has been sending to houses in Belfast,” says Nicholas. “Do you not consider it divisive, asking citizens to spy on their neighbors?”

“Look, these incidents take planning,” she says. “Everyone should know how to spot suspicious behavior. This isn’t about snooping on your neighbors, it’s about preventing the next attack.”

When I look up from my notes, my sister is on the television screen. Her cheeks are flushed, like she’s been out in the cold.

She is standing with two men outside a petrol station, by a row of fuel pumps. Her ambulance must have been sent out to a call, though for some reason she isn’t wearing her uniform.

“The police are appealing for witnesses after an armed robbery in Templepatrick,” says the closed caption. A ringing starts in my ears. Only Marian’s face is in view of the security camera, the two men are turned away.

“Tessa?” says John, sounding panicked, and I send him the music clip without really looking away from the television.

“Are we over time?” I hear my voice say.

“No, we’re bang on,” he says.

Marian has something in her hands. She is leaning down and pulling it toward her. It takes me a moment to understand what I’m watching, as her hair and then her face seem to disappear. When she straightens, she’s wearing a black ski mask.

3

IRUSH OUT OF BROADCASTING HOUSE and turn north toward the police station. If I were to run in the opposite direction, toward her flat, Marian might answer the door. She might stand there, under the yellow paper lantern in her front hall, and say, Tessa, what are you doing here?

I sway on my feet, trying to make a decision. Her house isn’t far. Marian lives in south Belfast, on Adelaide Avenue, a quiet row of terraced houses between the railway line and the Lisburn Road. I could be there in twenty minutes. The pedestrian light flashes and I force myself to cross the road. Her flat will be empty, she’s meant to be on the north coast through Friday. She isn’t answering her phone. On my way out of the building, I rang mam and Marian’s best friends, but none of them have heard from her.

The police station stands behind a tall corrugated steel fence. I speak to the desk officer seated behind a bulletproof window. Distortions in the glass ripple over his face, and I can’t tell if he understands, if I’m making any sense. A woman outside his booth, in tears. The officer must be used to it, he doesn’t seem at all alarmed by my distress. He rests my license in a slot on his keyboard and slowly types in my name. He doesn’t hurry, even though someone might be watching from across the road. The IRA always seems to know when someone from the community has gone to the police. If anyone asks later, I’ll say I came here for work, for an interview. I dry my face with the back of my hand, then he points me toward an antechamber.

Two soldiers with automatic rifles order me to remove my shoes and bag. I hold my arms out at my sides, barefoot, in a linen summer dress. The soldiers’ faces are blank. It occurs to me that, in this moment, they might be more scared than I am. If I had a bomb strapped under my dress, they’d be the first in the station to die.

“Hold out your hands,” says one, and wipes them for explosives residue. I have a sudden fear that I might have touched something, at some point in the day, that there will be flecks of gelignite or Semtex on my palms. The soldiers wait until the machine sounds, then unlock the antechamber door. A constable escorts me across the courtyard and up to an interview room in the serious crime suite.

The room has a panoramic view over the city, the roofs and construction cranes, to the dark shape of Cave Hill in the distance. I’m watching clouds surge behind the hill when the detective arrives. He is in his fifties, in a crumpled suit, with an expressive, lined face.

“DI Fenton,” he says, shaking my hand. “We’re glad you came in, Tessa.”

He opens a notepad, searches his pockets for a pen. The disorganization might be a tactic, I think, a way to put people at ease.

“I understand you’d like to talk about Marian Daly,” he says, and I frown. He says her name like she’s a known figure. “Can you state for the tape your relation to Marian?”

“She’s my sister.”

“Do you know where Marian is at the moment?” he asks.

“No.”

I want to say, Actually, we do know where she is, she’s on the coast near Ballycastle, she’s out hiking along the cliff path, she’s on her way to visit Dunseverick castle.

“She arrived at the service station in Templepatrick in a white Mercedes Sprinter van,” he says. “Have you ever seen that vehicle before?”