Rosaline Palmer Takes the Cake Page 43

“Okay. Bad idea. Why don’t you say it’s a satirical commentary on the current state of our political system?”

“Because I’m on a baking show, not Have I Got News for You.”

Grace Forsythe pulled herself upright and wiped tears from the corners of her eyes. “You could always leave it out.”

“I’m trying to do the Houses of Parliament. Without the clock tower, the Houses of Parliament is just houses.”

“Then,” said Grace Forsythe, “you’ll have to do what we do every year when someone makes something that looks like a penis.”

The light of hope flared in Anvita’s eyes. “What? What can I do?”

“Pretend very hard that the thing which obviously looks like a penis does not, in fact, look like a penis.”

“But then everyone will think I don’t know what a penis looks like.”

“Excuse me.” Colin Thrimp popped up on the other side of the counter. “I’m terribly sorry. It’s just that you’re saying the word ‘penis’ over and over again very loudly, and it’s drifting into other people’s shots.”

“My fault, Colin.” Grace Forsythe gave an unrepentant grin. “Penised the whole thing up as usual. You’ll be fine, Anvita, they can do wonders with camera angles.”

From Ricky’s side of the ballroom, there came an ominous crash.

“Welp,” said Ricky. He was standing with his hands on his hips, surveying the shrapnel of what must once have been a large, fan-shaped crispbread. “There goes one of the wings. But it’s fine. He’s got two. I’ll show him in profile.”

Anvita put down her crusty phallus. “What are you even making?” she called out.

“Great Dragon Smaug. You?”

“Big Dick.”

“Nice.”

“Please stop shouting,” implored Colin Thrimp, “and making references to genitalia. Jennifer will be livid.”

“Actually”—Josie glanced up from where she was busily producing more bread than any human being had a right to produce—“I’m starting to think one of my plaits looks a little bit like a vulva.”

Eventually the room settled down, despite rather than because of Colin Thrimp’s entreaties. And Rosaline got back to her heart, which was browning nicely and not losing its shape too much.

Being in a state of what she hoped was okayness turned out to be a little disorientating. Normally she was too rushed and panicky to pay much attention to what was going on around her, but now she was worryingly open to distractions. There was Josie singing folk music under her breath. The restless tip-tap of Claudia’s kitchen-inappropriate shoes. Nora cheerfully giving a producer baking tips like she was presenting her own show. And the way Harry’s shoulder muscles shifted beneath his T-shirt as he took a baking tray out of the oven.

“What are you doing now?” Colin Thrimp asked him, nearly making him drop his rolls.

“Uhm, taking something out the oven.”

“Can you say that like you’re not answering a question.”

“Oh yeah. Sorry.” Harry paused and took a deep breath. “Right now, I’m taking something out the oven.”

“Could you tell us”—for a man with no corners, Colin Thrimp could sometimes sound remarkably sharp—“what exactly it is you’re taking out the oven.”

“Rolls.”

“Again. Like you’re not answering a question. And maybe tell us what the rolls are for.”

“So these are rolls, what I’ve just taken out the oven. And I’m going to use them as rocks. Because I’m making a rock pool. They’re sort of a German rye bread. Because that looks a bit like rocks.”

“And why are you doing a rock pool?”

“Because—”

“Like you’re not answering a question.”

Harry’s hands curled and uncurled against the bench. “I thought,” he said very slowly, “I’d do a rock pool because in the summer me and my mum and my dad and my sisters go down Southend and we take the kids rock-pooling. I don’t know much about it, but they like looking at the crabs and stuff, so I’m going to see if I can make a little crab. And maybe a nice starfish. And I’m doing a pesto flatbread for seaweed.”

“Thank you,” said Colin Thrimp, with visible relief.

“No problem, mate.” Harry’s relief was equally visible.

But after Colin had gone, Rosaline noticed Harry was still standing at his workstation, staring blankly at his bread rocks as if a wicked enchantress obsessed with the finer points of rye bread had cursed him to a hundred years of waking sleep. He wasn’t her problem—he wasn’t even really her friend—but he’d been there when she’d been panicking about her phone. And last night she’d . . . she’d liked talking to him. Hearing about his family and not feeling she had to defend hers.

Besides, her left ventricle still needed a couple of minutes, so she slipped across the room to his side.

“All right, mate?” she said.

He turned, offering her a wry smile. “I do say that a lot, don’t I?”

“Yeah, but it’s . . . it’s you, isn’t it? Seriously, though. Are you all right?”

“Pretty much.” Lifting his forearm to his brow, he pushed his hair back, and left a little streak of flour behind. “Those interviews . . . they’re well hard, ain’t they? Because when you’re doing something, it’s not like you’re normally telling people what you’re doing at the same time. Like, here I am making a sandwich, and I’m cutting the bread so I’ll have bread for the sandwich. And you’ve got to hold the knife proper so it don’t go all wonky and you don’t cut your hand off.”

At that moment, Nora’s voice drifted across the ballroom. “Now you can see,” she was telling a producer, who didn’t even have a camera, “I’ve got a nice rise on this. And if you ask me, it’s all in the mixing. My mother told me you put the yeast and the salt on the opposite sides of the bowl, and that’s what I’ve always done, and it’s always worked.”

“Or,” Harry went on, “I’m wrong and it’s a piece of piss.”

Rosaline squeezed his arm. “I think Nora just really likes talking about baking.”

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