“No.”

Charlie shivers slightly at the acknowledgment that, thanks to her, the man who killed Maddy hasn’t been caught, may never be caught, may spend the rest of his fucking life reveling in how he’d gotten away with murder not once but three times.

That the police know of.

So far.

The idea that the Campus Killer could—and most likely will—strike again prompts another fearful shiver.

“Does it worry you that they never caught him?”

“It makes me angry,” Charlie says.

After the initial shock and grief had worn off, Charlie turned to anger pretty quickly. She spent all those sleepless nights seething over the fact that Maddy was dead and her killer wasn’t and how utterly wrong that was. Sometimes she’d spend all night pacing the room, envisioning B-movie scenarios in which she took her revenge. In these mental movies, the Campus Killer was always the dark, human-shaped blank she’d seen outside the bar, onto which she inflicted every act of violence she could think of.

Shooting. Strangling. Beheading.

One night, the movie in her mind had her stabbing the Campus Killer in the chest and plucking out his heart, which glistened on the tip of her knife, still beating. But when she looked down at the body, it wasn’t a human-shaped blank she saw. It was someone she knew all too well.

Herself.

After that one, Charlie started planning her escape.

“I think I’d be worried,” Josh says. “I mean, he’s still out there. Somewhere. He might have seen you, right? He might know who you are and try to come for you next.”

Charlie shivers again, this one more intense than the others. A shudder. One she feels all the way down to her core. Because Josh is right. The Campus Killer probably did see her. Maybe he even knows who she is. And although Charlie saw him, too, she wouldn’t know it was him even if he was sitting right next to her.

“That’s not why I’m leaving school,” she says.

“So it’s a guilty conscience, then.”

Charlie says nothing, allowing Josh to add, “I think you’re being too hard on yourself.”

“I don’t.”

“But you are. It’s not like it was your fault.”

“I saw him,” Charlie says. “Yet I can’t identify him. Which does make it my fault. Even if I could identify him, there’s still the fact that I abandoned Maddy. If I had stayed with her, none of this would have happened.”

“I don’t blame you for any of that. I’m not judging you. I guess you think others do—”

“I know they do,” Charlie says, thinking about that call with Maddy’s mother, how afterward she’d felt hollow. How she still feels as empty as a football, to quote Jimmy Stewart in Rear Window.

“Why? Were people mean to you?”

“No.”

If anything, everyone was suffocatingly kind. All those weepy-eyed girls coming to her door with food and cards and flowers. There were invitations to trade dorm rooms, to go on group outings (“There’s safety in numbers!”), to join a prayer circle. Charlie declined them all. She didn’t want their sympathy. She didn’t deserve it.

“Then maybe you should stop beating yourself up over something you couldn’t control.”

Charlie’s heard it all before, from literally everyone except Maddy’s family. And she’s tired of it. Tired of being told what to feel, that it wasn’t her fault, that she needs to forgive herself. So tired of it all that a lump of anger explodes in her chest like a firecracker—white-hot and shimmering. Fueled by its burn, she whips away from the window and, practically snarling at Josh, yells, “And maybe you should shut the fuck up about something that has nothing to do with you!”

The outburst surprises Josh, who’s so startled he sends the car shuddering off the road for a few jarring seconds. Not surprised is Charlie, who always suspected such an explosion would arrive at some point. She just didn’t think it would be in a car with a man she doesn’t know, her voice booming through the pine-scented interior. Now that it’s happened, she’s left breathless, shaken, and completely ashamed of herself. She slumps back in her seat, suddenly exhausted.

“I’m sorry,” she says. “I was—”

“Holding that in for a long time.” Josh’s voice is a monotone. His expression is blank. Charlie wonders if he’s feeling hurt or angry or frightened. All are justifiable. If their roles were reversed, she’d be wondering what kind of crazy person she’d just let into her car.

“I didn’t mean—”

Josh stops her with a raised hand. “Let’s just not talk about it.”

“That’s probably for the best.”

No one says anything for the next few minutes. Plunged into silence, they both keep their eyes on the road. The snow has stopped. A sudden ceasing. Almost as if her outburst had frightened it away. Charlie knows that’s stupid to think. It was just a brief November squall, here and gone in minutes, yet she feels guilty all the same.

The car is still quiet when they pass a sign indicating that the entrance ramp to Interstate 80 is two miles ahead. Immediately after that is another sign, this one for 7-Eleven.

The last convenience store before they hit the highway.

If the two of them make it that far. After the way she’s acted, Charlie wouldn’t blame Josh for dumping her on the side of the road and speeding away. Instead, he pulls into the empty 7-Eleven lot, parks near the front door, and cuts the engine.

“I’m getting coffee,” he says. “You want some?”

Charlie notes his tone. Cordial but cool.

“Yes,” she says, speaking the same way, as if she’s talking to a professor she doesn’t like. “Please.”

“How do you take it?”

“Milk and two sugars,” Charlie says, reaching for her backpack on the floor.

“This one’s on me,” Josh says. “I’ll be right back.”

He slides out of the car and hurries into the 7-Eleven. Through the store’s giant front window, Charlie sees him nod hello to the cashier—a kid in a flannel shirt and green knit cap. Behind him, a tiny TV near the ceiling broadcasts the news. President Bush is on the screen, doing an interview with Barbara Walters, as his white-haired wife—a second Barbara—sits beside him. Josh gives the TV a passing glance before moving toward the coffee station.

Charlie knows she should go in with him. It would be the polite thing to do. A signal, however meager, that she’s an active, willing part of this journey. But she doesn’t know how to do that. There’s no cinematic frame of reference for her to follow. As far as she knows, there’s not a heralded I-let-my-best-friend-get-murdered-and-now-I-can’t-function-like-a-normal-human-being movie out there that she hasn’t seen yet.

So she remains in the car, the seat belt still strapped tight across her chest as she tries to pull herself together. She worries she’s going to spend the entirety of the trip like this—nervous and flighty, her emotions as prickly as a ball of barbed wire. It makes her question her decision to leave Olyphant. Not the why of it. She’s certain about that part. What she doubts is how she chose to leave. Maybe it would have been better to wait until Robbie could drive her and not ride with a stranger who, if she keeps this up, really might drop her off in the middle of nowhere. Maybe, despite her urgent desire to leave, she’s just not ready to make this journey without someone she knows.

Outside the car, a pay phone sits a few feet from the convenience store’s front door. Charlie starts to search her backpack for loose change, wondering if she should call Robbie and ask him to take her back to campus. She can even try to make light of the situation, using the code he gave her.

Things took a detour.

Yes, they have. In all manner of ways. Now all she wants is for Robbie to take her back to Olyphant. It’s not that far of a drive. Only thirty minutes. And when they get there, she’ll wait—simply wait—until Thanksgiving.

Then she can go home, try to put all this behind her.

Mind made up and armed with change, Charlie unfastens the seat belt, which retracts with a startling click. When she opens the passenger-side door, the car’s interior light flicks on, bathing her in a sickly yellow glow. She starts to slide out of the car but stops herself when another car pulls into the parking lot. A beige Dodge Omni packed with teenagers. Inside, music pulses, muffled by windows rattling to the beat. The car screeches to a stop two spaces away from Josh’s Grand Am, and a girl immediately pops out of the passenger side. Inside the car, someone shouts for her to grab a bag of Corn Nuts. The girl bows and says, “Yes, my darling dearest.”