INT. HOSPITAL—DAY

It’s quiet inside the hospital. Everyone from the nurses to the clerks to the volunteers in their candy cane pinafores works in a subdued hush, even though it’s not very busy. There’s only one other nonemployee at the help desk—a middle-aged man slumped in a chair by the door with a vacant look in his eyes. Charlie hopes he’s just tired, but she doubts it. He has the appearance of someone backhanded with bad news. Charlie suspects she looks the same.

She had been here earlier, before being taken to the police station. A frantic ambulance ride straight from the Mountain Oasis Lodge—the speed necessitated by the other person in the ambulance with her.

Charlie’s injuries were minor. Some scrapes, bruises, and a broken nose from when Robbie elbowed her in the face. Now a fat strip of medical tape sits across the bridge of it. When Charlie first saw it in the mirror, she couldn’t help but say, to no one in particular, “Chinatown. Roman Polanski. Nineteen seventy-four. Starring Jack Nicholson and Faye Dunaway.”

The nurse who’d done the taping didn’t get the reference.

“You need to see it,” Charlie told her. “It’s a classic.”

Then it was off to the police station, where she described her long endurance test of a night—leaving out the bits she didn’t think the cops needed to know. They weren’t particularly concerned about the details of why Charlie was at the lodge and how it caught fire and what the others were doing there. All the cops really cared about was that the Campus Killer had not only been identified but that his corpse was found drifting in a sunken Volvo, handcuffed to the steering wheel.

Charlie didn’t fudge the truth about that. “It was self-defense,” she said, and she meant it.

Mostly.

In return for her information, Charlie was told how someone driving along Dead River Road saw the lodge in flames, went to the diner, and called 911 on the same pay phone Charlie had used earlier. When first responders arrived, they found her drenched and shivering on the side of the road leading up to the lodge.

Charlie ended up being the first person they found. She wasn’t the last.

It’s this last person she’s here to see, having been driven back to the hospital from the police station. She’s dry for the most part, although Maddy’s coat is still damp and in dire need of dry cleaning. Charlie could use a good cleaning herself. Her hair is a mess, swimming pool swill still sticks to her in spots, and she smells like a wet dog that’s rolled in something dead.

Now she’s at the door to a hospital room, taking a steadying breath before entering.

Inside, Marge lays in a hospital bed, looking ten times smaller than she did mere hours ago. She’s hooked up to an oxygen tank. A clear tube runs under her nose and loops around both ears.

Charlie had hoped she’d be asleep, but Marge is wide awake and propped up by several pillows. Beside her is a tray table, the breakfast on top of it untouched.

“You should have pulled the trigger,” she says when Charlie steps into the room.

Charlie stops a few feet from the bed. “Hello to you, too.”

“I mean it,” Marge says. “I’m probably going to die in this place. I might never leave this hospital bed. That’s what the doctor said.”

“Doctors have been wrong before.”

It wouldn’t surprise Charlie if Marge stuck around for longer than two months. She’s still got some toughness to her. She must, or else she wouldn’t have lasted through the night. Firefighters found her still sitting by the swimming pool, long after the lodge had collapsed in on itself. Although suffering from smoke inhalation, second-degree burns from flaming debris that hit her during the collapse, and the onset of hypothermia, she was still kicking.

“I’m assuming the police came by,” Charlie says.

“They did. I was surprised by what they had to say. I didn’t know we went to the lodge just to reminisce. And that the fire was an accident. And that I apparently hadn’t shot anyone, let alone two people.”

“What they don’t know won’t hurt them,” Charlie says.

Marge starts to reply, grasping for the right words. When they refuse to arrive, she simply says, “I’m sorry. What I did was—”

“I’m not here for an apology,” Charlie says. “And I’m sure as hell not here to seek your forgiveness.”

Marge peers up at her, curious. “Then why are you here?”

“To say that we’re square.”

Charlie approaches the tray beside the bed. She reaches deep into her pocket, pulls out something small and ivory, and sets it down on the breakfast tray.

Marge stares at Robbie’s tooth, the corners of her mouth twitching upward into what Charlie can only guess is a smile. Sinking back into the pillows, she closes her eyes and lets out a long, satisfied sigh.

“Good girl,” she says.

INT. HOSPITAL ROOM—DAY

Charlie’s final stop is another hospital room, just a few doors down the hall from Marge’s. Unlike her, Josh is sound asleep and lightly snoring.

No, not Josh.

Jake.

True to her word, Marge had indeed moved him someplace safe, dragging him out of the lobby and putting him in the back seat of the Cadillac. When the portico fell with the rest of lodge, the roof of the Caddy bent but didn’t break. A couple of firefighters found him inside and unconscious as they were loading Charlie into the ambulance. Josh was loaded in right along with her. Charlie held his hand the entire way to the hospital.

Now she sits by his bed, watching him sleep. When he wakes, his eyes flutter open in a way that Charlie can only describe as cinematic. And even though she shoved a knife into his side, he still smiles when he sees her. Not even pain can dim that megawatt grin.

“You stabbed me,” he says.

“You kidnapped me.”

“I also tried to save you.”

Charlie gives a nod of thanks. “You did.”

Josh tries to sit up, groaning with effort. Most of his body has been wrapped in bandages. Some are for the stab wound. Others are for the gunshot wound. And still others might be from when Charlie accidentally rear-ended the Cadillac while he was inside.

“The Mummy,” she says. “Nineteen thirty-two. Boris Karloff.”

“I’ve heard of him,” Josh says. “Some film nerd told me he was in The Secret Life of Walter Mitty.”

Charlie grins. “That film nerd must be a very smart girl.”

“She is,” Josh says. “Although she must not be too smart to be sticking around this place.”

“I just came by to thank you for saving me.” A lump forms in Charlie’s throat. She swallows it down. “I-I’m not sure I deserved it.”

“You did,” Josh tells her. “You need to stop being so hard on yourself.”

“I know.” Charlie pauses. “And you need to find a different job.”

Josh laughs until it starts to hurt. Clutching his side, he says, “That I do. I think I’d make a great chauffeur. Maybe I should move to Hollywood. Be a driver to the stars.”

“Sounds like a good plan to me.”

“Speaking of driving.” Josh gestures to his clothes, neatly folded on the nightstand beside the bed, almost as if they’d just come from a cleaner who’d forgotten to tackle the bloodstains. “Reach into the front right pocket of my jeans. There’s something inside I want you to have.”

Charlie does, dipping her hand into the pocket and finding a set of car keys. She pulls them out by the plastic fob, the keys jingling together below it.

“It’s yours,” Josh says.

“I can’t take your car.”

“You need to get to Ohio somehow. Besides, you’re only borrowing it. Go home, spend some time with your grandmother, bring it back to me. I’ll probably still be here.” Josh touches his side. “And when you do, maybe we can, I don’t know, go see a movie or something.”

Charlie curls her fingers around the keys, a sign she’s considering it. Not just borrowing Josh’s car, but all of it. For one, she feels indebted to him. He came to her rescue, in spite of what she’d done to him. That needs to be acknowledged and appreciated.

Then there’s the fact that she likes this version of Josh. It’s the one she got brief glimpses of during the long, strange trip of the previous night. Now that all suspicion is gone, she thinks it might be nice to meet the real him.

But the bedrock truth is that surviving the night has left Charlie feeling lonelier than ever.

Maddy’s gone.

Robbie, too.

Now more than ever, Charlie’s in need of a new friend.

“Maybe,” she says as she stuffs the keys into her coat pocket. “As long as I get to pick the movie.”

EXT. LODGE—DAY

Charlie has to take a cab to get to the Grand Am, which is still parked at the base of the ridge where the Mountain Oasis Lodge had once sat. The cabbie, kind enough not to mention the way Charlie looks and smells, only gets as far the sign for the lodge before being stopped by a police barricade.