He sang “Brown Eyed Girl,” by Van Morrison. Dabney had secretly requested this, and when Riley strummed the first chord, she grabbed Clen by his hand and they danced together in the small space in front of the tables. They were a broken couple—Clen with one arm, Dabney with cancer—but they could still spin like they had in high school and college, or almost, and the crowd cheered them on.

Making love in the green grass, behind the stadium with you…

She might never dance again, she realized, as she sat down, breathless, her pearls in a twist. She didn’t care. That had felt so good—wild, free, precious, lawless, the way dancing was supposed to feel.

The Brotherhood was packed with familiar faces—Julia from the office-supply store, Genevieve from Dr. Field’s office, Diana from the pharmacy lunch counter—and they all came up to Dabney, saying how sorry they were that she had retired from the Chamber and how Nantucket would never be the same.

It was Agnes who let Dabney know that Celerie wasn’t doing well. She had been devastated by the news of Dabney’s illness, and she had had her heart set on making a career at the Chamber, which wouldn’t happen now. Agnes said that Celerie had taken to her bed, and could not be persuaded to leave her house.

“Took to her bed?” Dabney said. She had a hard time imagining Celerie lying down at all; the girl was always on the move. “Really?”

“She’s like your…groupie…your disciple,” Agnes said. “I mean, look at her, Mom. The headband? The pearls? Come on.”

Celerie was working the occasional catering job, but she had no long-term plan beyond volunteering as the cheerleading coach at the Boys & Girls Club. She was considering moving back to Minnesota.

Dabney decided to call Vaughan Oglethorpe. Clen was in the room when she did it.

Clen said, “I can’t believe you’re calling that grotesque zombie bastard.”

Dabney said, “It’s the right thing to do.”

And as it turned out, Vaughan was happy to hear from Dabney. He sounded as he had always sounded, prior to showing up in the office to fire Dabney—like an uncle hearing from his favorite, long-lost niece.

“Dabney!” he said. “Your voice is music to my ears.”

Dabney heard actual music—the heavy, doomed chords of Bach’s Toccata and Fugue—in the background. Funeral-parlor music. Anyone’s voice would be an improvement over that.

“I have a matter I’d like to discuss,” Dabney said.

“I hope you’re calling to tell me that you want your job back,” Vaughan said. “Because ever since I asked for your resignation, I’ve been itching to retract my words. The Chamber is nothing without you, Dabney. The second you walked out of there, it started falling apart. I had to hire a temp, and Elizabeth Jennings agreed to handle the phones, but only during hours that are convenient for her. I’m at a loss. I need you to come back. I can even offer you a pay raise.”

Dabney stifled a laugh. What Vaughan didn’t understand was that Dabney would have done her job all those years for half, or a quarter, of her salary. Hell, she would have done it for free.

“I’m not coming back, Vaughan,” she said. “I do have a suggestion for a new director, however.”

True, Celerie was young. But she had energy and enthusiasm and a fresh outlook. She was bright and she learned quickly. She had the fire. She also would have a direct line to Dabney. Dabney would consult with her until…

“Well,” Dabney said. “Until I’m not able to consult anymore.”

Vaughan made some phlegmy, throat-clearing noise that Dabney knew was meant to conceal his relief.

“Okay,” he said. “Have Celerie e-mail me her résumé. Pronto.”

Next, it was out to Celerie’s house—a sad little rental on Hooper Farm Road. As soon as Dabney pulled into the driveway, she realized that this was the house that her friends Moe and Curly used to rent. Moe and Curly had surfed at Madequecham Beach back when Dabney and Clen were in high school and college. Dabney had come to parties at this house; she had thrown up in the backyard after too many vodkas with grape soda.

Dabney chuckled as she walked up to the front door. She was Dabney now and she had been Dabney then, but they were two different people.

Sometimes life seemed very long.

And other times, not.

Dabney knocked, and Celerie opened the door right away. She was holding a paperback copy of Emma, by Jane Austen. She was wearing a short blue terry-cloth robe. And pearls. And the navy headband with the white stars.

Dabney knew she had been right to come.

Celerie’s mouth formed a tiny O of surprise, the way other girls her age might react to a visit from Justin Beiber, or the way Dabney’s grandmother, Agnes Bernadette, would have reacted to a visit from the Holy Father, Pope John Paul II.

“That’s my favorite book, you know,” Dabney said.

“Yes,” Celerie said, and her eyes brimmed with tears. “I know.”

“Can I come in and talk to you for a minute?” Dabney asked.

“Of course.” Celerie indicated the room before her, featuring a gray, tweedy-looking sofa, a large square rag rug, a boxy TV with rabbit-ear antennae, and a rotary phone. “We call this room the museum because nothing actually works.”

Dabney laughed. She could just barely smell the marijuana smoke of thirty years earlier, and see the hazy silhouettes of Moe and Curly and a girl they all called Meg the Drunk Slut, crowded around a red glass bong.