The Seven Husbands of Evelyn Hugo Page 12

She liked how polite he was, how he offered to set and clear the table. But in the morning before he woke up on our last day in town, my mom told me she questioned whether David and I had a meaningful connection. She said she didn’t “see it.”

I told her she didn’t need to see it. That I felt it.

But her question stuck in my head. Sometimes it was a whisper; other times it echoed loudly.

When I called to tell her we’d gotten engaged a little more than a year later, I was hoping my mother could see how kind he was, how seamlessly he fit into my life. He made things feel effortless, and in those days, that seemed so valuable, so rare. Still, I worried she would air her concerns again, that she would say I was making a mistake.

She didn’t. In fact, she was nothing but supportive.

Now I’m wondering if that was more out of respect than approval.

“I’ve been thinking . . .” my mom says as I open the refrigerator door. “Or I should say I’ve hatched a plan.”

I grab a bottle of Pellegrino, the plastic basket of cherry tomatoes, and the watery tub of burrata cheese. “Oh, no,” I say. “What have you done?”

My mom laughs. She’s always had such a great laugh. It’s very carefree, very young. Mine is inconsistent. Sometimes it’s loud; sometimes it’s wheezy. Other times I sound like an old man. David used to say he thought my old-man laugh was the most genuine, because no one in their right mind would want to sound like that. Now I’m trying to remember the last time it happened.

“I haven’t done anything yet,” my mom says. “It’s still in the idea phase. But I’m thinking I want to come visit.”

I don’t say anything for a moment, weighing the pros and cons, as I chew the massive chunk of cheese I just put in my mouth. Con: she will critique every single outfit I wear in her presence. Pro: she will make macaroni and cheese and coconut cake. Con: she will ask me if I’m OK every three seconds. Pro: for at least a few days, when I come home, this apartment will not be empty.

I swallow. “OK,” I say finally. “Great idea. I can take you to a show, maybe.”

“Oh, thank goodness,” she says. “I already booked the ticket.”

“Mom,” I say, groaning.

“What? I could have canceled it if you’d said no. But you didn’t. So great. I’ll be there in about two weeks. That works, right?”

I knew this was going to happen as soon as my mom partially retired from teaching last year. She spent decades as the head of the science department at a private high school, and the moment she told me she was stepping down and only teaching two classes, I knew that extra time and attention would have to go somewhere.

“Yeah, that works,” I say as I cut up the tomatoes and pour olive oil on them.

“I just want to make sure you’re OK,” my mom says. “I want to be there. You shouldn’t—”

“I know, Mom,” I say, cutting her off. “I know. I get it. Thank you. For coming. It will be fun.”

It won’t be fun, necessarily. But it will be good. It’s like going to a party when you’ve had a bad day. You don’t want to go, but you know you should. You know that even if you don’t enjoy it, it will do you good to get out of the house.

“Did you get the package I sent?” she says.

“The package?”

“With your dad’s photos?”

“Oh, no,” I say. “I didn’t.”

We are quiet for a moment, and then my mom gets exasperated by my silence. “For heaven’s sake, I’ve been waiting for you to bring it up, but I can’t wait any longer. How’s it going with Evelyn Hugo?” she says. “I’m dying to know, and you’re not offering anything!”

I pour my Pellegrino and tell her that Evelyn is somehow both forthright and hard to read. And then I tell her that she isn’t giving me the story for Vivant. That she wants me to write a book.

“I’m confused,” my mom says. “She wants you to write her biography?”

“Yeah,” I say. “And as exciting as it is, there’s something weird about it. I mean, I don’t think she ever considered doing a piece with Vivant at all. I think she was . . .” I trail off, because I haven’t figured out exactly what it is I’m trying to say.

“What?”

I think about it more. “Using Vivant to get to me. I don’t quite know. But Evelyn is very calculating. She’s up to something.”

“Well, I’m not surprised she wants you. You’re talented. You’re bright . . .”

I find myself rolling my eyes at my mother’s predictability, but I do still appreciate it. “No, I know, Mom. But there’s another layer here. I’m convinced of it.”

“That sounds ominous.”

“I guess so.”

“Should I be worried?” my mom asks. “I mean, are you worried?”

I hadn’t thought about it in such direct terms, but I suppose my answer is no. “I think I’m too intrigued to be worried,” I say.

“Well, then, just make sure you share the real juicy stuff with your mother. I did suffer through a twenty-two-hour labor for you. I deserve this.”

I laugh, and it comes out, just a little bit, like an old man. “All right,” I say. “I promise.”

* * *

“OK,” EVELYN SAYS. “Are we ready?”

She is back in her seat. I am in my spot at the desk. Grace has brought us a tray with blueberry muffins, two white mugs, a carafe of coffee, and a stainless-steel creamer. I stand up, pour my coffee, add my cream, walk back to the desk, press record, and then say, “Yes, ready. Go for it. What happened next?”

Goddamn Don Adler

LITTLE WOMEN TURNED OUT TO be a carrot dangled in front of me. Because as soon as I became “Evelyn Hugo, Young Blonde,” Sunset had all sorts of movies they wanted me to do. Dumb sentimental comedy stuff.

I was OK with it for two reasons. One, I had no choice but to be all right with it because I didn’t hold the cards. And two, my star was rising. Fast.

The first movie they gave me to star in was Father and Daughter. We shot it in 1956. Ed Baker played my widowed father, and the two of us were falling in love with people at the same time. Him with his secretary, me with his apprentice.

During that time, Harry was really pushing for me to go out on a few dates with Brick Thomas.

Brick was a former child star and a matinee idol who honest-to-God thought he might be the messiah. Just standing next to him, I thought I might drown in the self-adoration cascading off him.

One Friday night, Brick and I met, with Harry and Gwendolyn Peters, a few blocks from Chasen’s. Gwen put me in a dress, hose, and heels. She put my hair in an updo. Brick showed up in dungarees and a T-shirt, and Gwen put him in a nice suit. We drove Harry’s brand-new crimson Cadillac Biarritz the half mile to the front door.

People were taking pictures of Brick and me before we even got out of the car. We were escorted to a circular booth, where the two of us packed ourselves in tight together. I ordered a Shirley Temple.

“How old are you, sweetheart?” Brick asked me.

“Eighteen,” I said.

“So I bet you had my picture up on your wall, huh?”

It took everything I had not to grab my drink and throw it right in his face. Instead, I smiled as politely as possible and said, “How’d you know?”

Photographers snapped shots as we sat together. We pretended not to see them, making it look as if we were laughing together, arm in arm.

An hour later, we were back with Harry and Gwendolyn, changing into our normal clothes.

Just before Brick and I said good-bye, he turned to me and smiled. “Gonna be a lot of rumors about you and me tomorrow,” he said.

“Sure are.”

“Let me know if you want to make ’em true.”

I should have kept quiet. I should have just smiled nicely. But instead, I said, “Don’t hold your breath.”

Brick looked at me and laughed and then waved good-bye, as if I hadn’t just insulted him.

“Can you believe that guy?” I said. Harry had already opened my door and was waiting for me to get into the car.

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