18

"JESUS," EDDIE SAID. "WHAT land of people are these guys?"

They had followed the avenue at the base of the ramp for a couple of blocks, had seen the barricade (missing Roland's entry into the partially hidden passageway by less than a minute) which lay ahead, and had turned north onto a broad thoroughfare which reminded Eddie of Fifth Avenue. He hadn't dared to tell Susannah that; he was still too bitterly disappointed with this stinking, littered ruin of a city to articulate anything hopeful.

" Fifth Avenue " led them into an area of large white stone buildings that reminded Eddie of the way Rome looked in the gladiator movies he'd watched on TV as a kid. They were austere and, for the most part, still in good shape. He was pretty sure they had been public buildings of some sort - galleries, libraries, maybe museums. One, with a big domed roof that had cracked like a granite egg, might have been an observatory, although Eddie had read someplace that astronomers liked to be away from big cities, because all the electric lights fucked up their star-gazing.

There were open areas between these imposing edifices, and although the grass and flowers which had once grown there had been choked off by weeds and tangles of underbrush, the area still had a stately feel, and Eddie wondered if it had once been the center of Lud's cultural life. Those days were long gone, of course; Eddie doubted if Gasher and his pals were very interested in ballet or chamber music.

He and Susannah had come to a major intersection from which four more broad avenues radiated outward like spokes on a wheel. At the hub of the wheel was a large paved square. Ringing it were loudspeakers on forty-foot steel posts. In the center of the square was a pedestal with the remains of a statue upon it - a mighty copper war-horse, green with verdigris, pawing its forelegs at the air. The warrior who had once ridden this charger lay off to the side on one corroded shoulder, waving what looked like a machine-gun in one hand and a sword in the other. His legs were still bowed around the shape of the horse he had once ridden, hut his boots remained welded to the sides of his metal mount. GRAYS DIE! was written across the pedestal in fading orange letters.

Glancing down the radiating streets, Eddie saw more of the speaker-poles. A few had fallen over, but most still stood, and each of these had been festooned with a grisly garland of corpses. As a result, the square into which " Fifth Avenue " emptied and the streets which led away were guarded by a small army of the dead.

"What kind of people are they?" Eddie asked again.

He didn't expect an answer and Susannah didn't give one... but she could have. She'd had insights into the past of Roland's world before, but never one as clear and sure as this. All of her earlier insights, like those which had come to her in River Crossing, had had a haunting visionary quality, like dreams, but what came now arrived in a single flash, and it was like seeing the twisted face of a dangerous maniac illuminated by a stroke of lightning.

The speakers... the hanging bodies... the drums. She suddenly understood how they went together as clearly as she had understood that the heavy-laden wagons passing through River Crossing on their way to Jimtown had been pulled by oxen rather than mules or horses.

"Never mind this trash," she said, and her voice only quivered a little. "It's the train we want - which way is it, d'you think?"

Eddie glanced up at the darkening sky and easily picked out the path of the Beam in the rushing clouds. He looked back down and wasn't much surprised to see that the entrance to the street corresponding most closely to the path of the Beam was guarded by a large stone turtle. Its reptilian head peered out from beneath the granite lip of its shell; its deepset eyes seemed to stare curiously at them. Eddie nodded toward it and managed a small dry smile. "See the turtle of enormous girth?"

Susannah took a brief look of her own and nodded. He pushed her across the city square and into The Street of the Turtle. The corpses which lined it gave off a dry, cinnamony smell that made Eddie's stomach clench... not because it was bad but because it was actually rather pleasant - the sugar-spicy aroma of something a kid would enjoy shaking onto his morning toast.

The Street of the Turtle was mercifully broad, and most of the corpses hanging from the speaker-poles were little more than mummies, but Susannah saw a few which were relatively fresh, with flies still crawl-ing busily across the blackening skin of their swollen faces and maggots still squirming out of their decaying eyes.

And below each speaker was a little drift of bones.

"There must be thousands," Eddie said. "Men, women, and kids."

"Yes." Susannah's calm voice sounded distant and strange to her own ears. "They've had a lot of time to kill. And they've used it to kill each other."

"Bring on those wise fuckin elves!" Eddie said, and the laugh that followed sounded suspiciously like a sob. He thought he was at last begin-ning to fully understand what that innocuous phrase - the world has moved on - really meant. What a breadth of ignorance and evil it covered.

And what a depth.

The speakers were a wartime measure, Susannah thought. Of course they were. God only knows which war, or how long ago, but it must have been a doozy. The rulers of Lud used the speakers to make city-wide announcements from some central, bomb-proof location - a bunker like the one Hitler and his high command retreated to at the end of World War II.

And in her ears she could hear the voice of authority which had come rolling out of those speakers - could hear it as clearly as she had heard the creak of the wagons passing through River Crossing, as clearly as she had heard the crack of the whip above the backs of the straining oxen.

Ration centers A and D will be closed today; please proceed to cen-ters B, C, E, and F with proper coupons.

Militia squads Nine, Ten, and Twelve report to Sendside.

Aerial bombardment is likely between the hours of eight and ten of the clock. All noncombatant residents should report to their designated shelters. Bring your gas masks. Repeat, bring your gas masks.

Announcements, yes... and some garbled version of the news - a propagandized, militant version George Orwell would have called double-speak. And in between the news bulletins and the announcements, squall-ing military music and exhortations to respect the fallen by sending more men and women into the red throat of the abattoir.

Then the war had ended and silence had fallen ... for a while. But at some point, the speakers had begun broadcasting again. How long ago? A hundred years? Fifty? Did it matter? Susannah thought not. What mattered was that when the speakers were reactivated, the only thing they broadcast was a single tape-loop... the loop with the drum-track on it. And the descendents of the city's original residents had taken it for ... what? The Voice of the Turtle? The Will of the Beam?

Susannah found herself remembering the time she had asked her father, a quiet hut deeply cynical man, if he believed there was a God in heaven who guided the course of human events. Well, he had said, I think it's sort of half 'n half, Odetta. I'm sure there's a God, but I don't think He has much if anything to do with us these days; I believe that after we killed His son, He finally got it through His head that there wasn't nothing to be done with the sons of Adam or the daughters of Eve, and He washed His hands of us. Wise fella.

She had responded to this (which she had fully expected; she was eleven at the time, and knew the turn of her father's mind quite well) by showing him a squib on the Community Churches page of the local newspaper. It said that Rev. Murdock of the Grace Methodist Church would that Sunday elucidate on the topic "God Speaks to Each of Us Every Day" - with a text from First Corinthians. Her father had laughed over that so hard that tears had squirted from the corners of his eyes. Well, I guess each of us hears someone talking, he had said at last, and you can bet your bottom dollar on one thing, sweetie: each of us - includ-ing this here Reverend Murdock - hears that voice say just exactly what he wants to hear. It's so convenient that way.

What these people had apparently wanted to hear in the recorded drum-track was an invitation to commit ritual murder. And now, when the drums began to throb through these hundreds or thousands of speak-ers - a hammering back-beat which was only the percussion to a Z.Z. Top song called "Velcro Fly," if Eddie was right - it became their signal to unlimber the hangropes and run a few folks up the nearest speaker-posts.

How many? she wondered as Eddie rolled her along in her wheel-chair, its nicked and dented hard rubber tires crackling over broken glass and whispering through drifts of discarded paper. How many have been killed over the years because some electronic circuit under the city got the hiccups? Did it start because they recognized the essential alienness of the music, which came somehow - like us, and the airplane, and some of the cars along these streets - -from another world?

She didn't know, but she knew she had come around to her father's cynical point of view on the subject of God and the chats He might or might not have with the sons of Adam and the daughters of Eve. These people had been looking for a reason to slaughter each other, that was all, and the drums had been as good a reason as any.

She found herself thinking of the hive they had found - the mis-shapen hive of white bees whose honey would have poisoned them if they had been foolish enough to eat of it. Here, on this side of the Send, was another dying hive; more mutated white bees whose sting would be no less deadly for their confusion, loss, and perplexity.

And how many more will have to die before the tape finally breaks?

As if her thoughts had caused it to happen, the speakers suddenly began to transmit the relentless, syncopated heartbeat of the drums. Eddie yelled in surprise. Susannah screamed and clapped both hands to her ears - but before she did, she could faintly hear the rest of the music: the track or tracks which had been muted decades ago when someone (probably quite by accident) had bumped the balance control, knocking it all the way to one side and burying both the guitars and the vocal.

Eddie continued to push her along The Street of the Turtle and the Path of the Beam, trying to look in all directions at once and trying not to smell the odor of putrefaction. Thank God for the wind, he thought.

He began to push the wheelchair faster, scanning the weedy gaps between the big white buildings for the graceful sweep of an overhead monorail track. He wanted to get out of this endless aisle of the dead. As he took yet another deep breath of that speciously sweet cinnamon smell, it seemed to him that he had never wanted anything so badly in his whole life.

19

JAKE'S DAZE WAS BROKEN abruptly when Gasher grabbed him by the collar and yanked with all the force of a cruel rider braking a galloping horse. He stuck one leg out at the same time and Jake went crashing backward over it. His head connected with the pavement and for a moment all the lights went out. Gasher, no humanitarian, brought him around quickly by seizing Jake's lower lip and yanking it upward and outward.

Jake screamed and bolted to a sitting position, striking out blindly with his fists. Gasher dodged the blows easily, hooked his other hand into Jake's armpit, and yanked him to his feet. Jake stood there, rocking drunkenly back and forth. He was beyond protest now; almost beyond understanding. All he knew for sure was that every muscle in his body felt sprung and his wounded hand was howling like an animal caught in a trap.

Gasher apparently needed a breather, and this time he was slower getting his wind back. He stood bent over with his hands planted on the knees of his green trousers, panting in fast little whistling breaths. His yellow headscarf had slipped askew. His good eye glittered like a trum-pery diamond. The white silk eyepatch was now wrinkled, and curds of evil-looking yellow muck oozed onto his cheek from beneath it.

"Take a look over your head, cully, and you'll see why I brung you up short. Get an eyeful!"

Jake tilted his head upward, and in the depths of his shock he was not at all surprised to see a marble fountain as big as a house-trailer dangling eighty feet above them. He and Gasher were almost below it. The fountain was held suspended by two rusty cables which were mostly hidden within huge, unsteady stacks of church pews. Even in his less-than-acute state, Jake saw that these cables were more seriously frayed than the remaining hangers on the bridge had been.

"See it?" Gasher asked, grinning. He raised his left hand to his covered eye, scooped a mass of the pussy material from beneath it, and flicked it indifferently aside. "Beauty, ain't it? Oh, the Tick-Tock Man's a trig cove, all right, and no mistake. (Where's those goat-fucking drums? They should have started by now - if Copperhead's forgot em, I'll ram a stick so far up his arse he'll taste bark.) Now look ahead of you, my delicious little squint."

Jake did, and Gasher immediately clouted him so hard that he stag-gered backward and almost fell.

"Not across, idiot child! Down! See them two dark cobblestones?"

After a moment, Jake did. He nodded apathetically.

"Yer don't wanter step on em, for that'd bring the whole works down on your head, cully, and anybody who wanted yer after that'd have to pick yer up with a blotter. Understand?"

Jake nodded again.

"Good." Gasher took a final deep breath and slapped Jake's shoulder. "Go on, then, whatcher waitin for? Hup!"

Jake stepped over the first of the discolored stones and saw it wasn't really a cobblestone at all but a metal plate which had been rounded to look like one. The second was just ahead of it, cunningly placed so that if an unaware intruder happened to miss the first one, he or she would almost certainly step on the second.

Go ahead and do it, then, he thought. Why not? The gunslinger's never going to find you in this maze, so go ahead and bring it down. It's got to be cleaner than what Gasher and his friends have got planned for you. Quicker, too.

His dusty moccasin wavered in the air above the booby-trap.

Gasher hit him with a fist in the middle of the back, but not hard. "Thinkin about takin a ride on the handsome, are you, my little cull?" he asked. The laughing cruelty in his voice had been replaced by simple curiosity. If it was tinged with any other emotion, it wasn't fear but amusement. "Well, go ahead, if it's what yer mean to do, for I have my ticket already. Only be quick about it, gods blast your eyes."

Jake's foot came down beyond the trigger of the booby-trap. His decision to live a little longer was not based on any hope that Roland would find him; it was just that this was what Roland would do - go on until someone made him stop, and then a few yards farther still if he could.

If he did it now, he could take Gasher with him, but Gasher alone wasn't sufficient - one look was enough to make it clear that he was telling the truth when he said he was dying already. If he went on, he might have a chance to take some of the Gasherman's friends, too -  maybe even the one he called the Tick-Tock Man.

If I'm going to ride what he calls the handsome, Jake thought, I'd just as soon go with plenty of company.

Roland would have understood.

20

JAKE WAS WRONG IN his assessment of the gunslinger's ability to follow their path through the maze; Jake's pack was only the most obvious bit of sign they left behind them, but Roland quickly realized he did not have to pause to look for sign. He only had to follow Oy.

He paused at several intersecting passages nevertheless, wanting to make sure, and each time he did, Oy looked back and uttered his low, impatient bark that seemed to say, Hurry up! Do you want to lose them? After the signs he saw - a track, a thread from Jake's shirt, a scrap of bright yellow cloth from Gasher's scarf - had three times confirmed the bumbler's choices, Roland simply followed Oy. He did not give up look-ing for sign, but he quit making stops to hunt for it. Then the drums started up, and it was the drums - plus Gasher's nosiness about what Jake might be carrying - that saved Roland's life that afternoon.

He skidded to a halt in his dusty boots, and his gun was in his hand before he realized what the sound was. When he did realize, he dropped the revolver back into its holster with an impatient grunt. He was about to go on again when his eye happened first on Jake's pack... and then on a pair of faint, gleaming streaks in midair just to the left of it. Roland narrowed his eyes and made out two thin wires which crisscrossed at knee level not three feet in front of him. Oy, who was built low to the ground, had scurried neatly through the inverted V formed by the wires, but if not for the drums and spotting Jake's castoff pack, Roland would have run right into them. As his eyes moved upward, tracing the not-quite-random piles of junk poised on either side of the passageway at this point, Roland's mouth tightened. It had been a close call, and only ka had saved him.

Oy barked impatiently.

Roland dropped to his belly and crawled beneath the wires, moving slowly and carefully - he was bigger than either Jake or Gasher, and he realized a really big man wouldn't be able to get under here at all without triggering the carefully prepared avalanche. The drums pumped and thumped in his ears. I wonder if they've all gone mad, he thought. If I had to listen to that every day, I think I would have.

He got to the far side of the wires, picked up the pack, and looked inside. Jake's books and a few items of clothing were still in there, so were the treasures he had picked up along the way - a rock which gleamed with yellow flecks that looked like gold but weren't; an arrow-head, probably the leaving of the old forest folk, which Jake had found in a grove of trees the day after his drawing; some coins from his own world; his father's sunglasses; a few other things which only a boy not yet in his teens could really love and understand. Things he would want back again ... if, that was, Roland got to him before Gasher and his friends could change him, hurt him in ways that would cause him to lose interest in the innocent pursuits and curiosities of pre-adolescent boyhood.

Gasher's grinning face swam into Roland's mind like the face of a demon or a djinni from a bottle: the snaggle teeth, the vacant eyes, the mandrus crawling over the cheeks and spreading beneath the stubbly lines of the jaws. If you hurt him ... he thought, and then forced his mind away, because that line of thought was a blind alley. If Gasher hurt the boy (Jake! his mind insisted fiercely - Not just the boy but Jake! Jake!), Roland would kill him, yes. But the act would mean nothing, for Gasher was a dead man already.

The gunslinger lengthened the straps of the pack, marvelling at the clever buckles which made this possible, slipped it onto his own back, and stood up again. Oy turned to be off, but Roland called his name and the bumbler looked back.

"To me, Oy." Roland didn't know if the bumbler could understand (or if he would obey even if he did), but it would be better - safer - if he stayed close. Where there was one booby-trap, there were apt to be more. Next time Oy might not be so lucky.

"Ake!" Oy barked, not moving. The bark was assertive, but Roland thought he saw more of the truth about how Oy felt in his eyes: they were dark with fear.

"Yes, but it's dangerous," Roland said. "To me, Oy."

Back the way they had come, there was a thud as something heavy fell, probably dislodged by the punishing vibration of the drums. Roland could now see speaker-poles here and there, poking out of the wreckage like strange long-necked animals.

Oy trotted back to him and looked up, panting.

"Stay close."

"Ake! Ake-Ake!"

"Yes. Jake." He began to run again, and Oy ran beside him, heeling as neatly as any dog Roland had ever seen.