Still in my clothes from the night before, I brush off my jacket and hope for the best. Walking into my bedroom, I scrape my hair back, knotting it with a bit of leather and covering the mess with a velvet cap.

The Roach frowns at me. “You’re wrinkled. His Majesty isn’t supposed to go around with a seneschal who looks like she just rolled out of bed.”

“Val Moren had sticks in his hair for the last decade,” I remind him, taking a few partially dried mint leaves from my cabinet and chewing on them to take the staleness from my breath. The last High King’s seneschal was mortal, as I am, fond of somewhat unreliable prophecy, and widely considered to be mad. “Probably the same sticks.”

The Roach harrumphs. “Val Moren’s a poet. Rules are different for poets.”

Ignoring him, I follow the Ghost into the secret passage that leads to the heart of the palace, pausing only to check that my knives are still tucked away in the folds of my clothes. The Ghost’s footfalls are so silent that when there’s not enough light for my human eyes to see, I might as well be entirely alone.

The Roach does not follow us. He heads in the opposite direction with a grunt.

“Where are we going?” I ask the darkness.

“His apartments,” the Ghost tells me as we emerge into a hall, a staircase below where Cardan sleeps. “There’s been some kind of disturbance.”

I have difficulty imagining what trouble the High King got into in his own rooms, but it doesn’t take long to discover. When we arrive, I spot Cardan resting among the wreckage of his furniture. Curtains ripped from their rods, the frames of paintings cracked, their canvases kicked through, furniture broken. A small fire smolders in a corner, and everything stinks of smoke and spilled wine.

Nor is he alone. On a nearby couch are Locke and two beautiful faeries—a boy and a girl—one with ram’s horns, the other with long ears that come to tufted points, like those of an owl. All of them are in an advanced state of undress and inebriation. They watch the room burn with a kind of grim fascination.

Servants cower in the hall, unsure if they should brave the king’s wrath and clean up. Even his guards seem intimidated. They stand awkwardly in the hall outside his massive doors—one barely hanging from its hinges—ready to protect the High King from any threat that isn’t himself.

“Carda—” I remember myself and sink into a bow. “Your Infernal Majesty.”

He turns and, for a moment, seems to look through me, as though he has no idea who I am. His mouth is painted gold, and his pupils are large with intoxication. Then his lip lifts in a familiar sneer. “You.”

“Yes,” I say. “Me.”

He gestures with the skin. “Have a drink.” His wide-sleeved linen hunting shirt hangs open. His feet are bare. I guess I should be glad he’s wearing pants.

“I have no head for liquor, my lord,” I say, entirely truthfully, narrowing my eyes in warning.

“Am I not your king?” he asks, daring me to contradict him. Daring me to refuse him. Obediently, because we are in front of people, I take the skin and tip it against my closed lips, pretending to take a long swallow.

I can tell he’s not fooled, but he doesn’t push it.

“Everyone else may leave us.” I indicate the faeries on the couch, including Locke. “You. Move. Now.”

The two I do not know turn toward Cardan beseechingly, but he barely seems to notice them and does not countermand me. After a long moment, they sulkily unfold themselves and see themselves out through the broken door.

Locke takes longer to get up. He smiles at me as he goes, an insinuating smile that I can’t believe I ever found charming. He looks at me as though we share secrets, although we don’t. We don’t share anything.

I think of Taryn waiting in my rooms as this merriment began. I wonder if she could hear it. I wonder if she’s used to staying up late with Locke, watching things burn.

The Ghost shakes his sandy head at me, eyes bright with amusement. He is in palace livery. To the knights in the hall and anyone else who might be looking, he is just another member of the High King’s personal guard.

“I’ll make sure everyone stays where they’re put,” the Ghost says, leaving through the doorway and issuing what sound like orders to the other knights.

“Well?” I say, looking around.

Cardan shrugs, sitting on the newly unoccupied couch. He picks at a piece of horsehair stuffing that is sticking out through the torn fabric. His every movement is languorous. It feels dangerous to rest my gaze on him for too long, as though he is so thoroughly debauched that it might be contagious. “There were more guests,” he says, as though that’s any explanation. “They left.”

“I can’t imagine why,” I say, voice as dry as I can make it.

“They told me a story,” Cardan says. “Would you like to hear it? Once upon a time, there was a human girl stolen away by faeries, and because of that, she swore to destroy them.”

“Wow,” I say. “That really is a testament to how much you suck as a king, to believe your reign is capable of destroying Faerie.”

Still, the words unnerve. I don’t want my motives to be considered. I ought not to be thought of as influential. I ought not to be thought of at all.

The Ghost returns from the hall, leaning the door against the frame, closing it as much as is possible. His hazel eyes are shadowed.

I turn back to Cardan. “That little story is not why I was sent for. What happened?”

“This,” he says, and staggers into the room with a bed in it. There, embedded deeply in the splintered wood of the headboard are two black bolts.

“You’re mad that one of your guests shot your bed?” I guess.

He laughs. “They weren’t aiming for the bed.” He pulls aside his shirt, and I see the hole in the cloth and a stripe of raw skin along his side.

My breath catches.

“Who did this?” the Ghost demands. And then, looking more closely at Cardan: “And why aren’t the guards outside more upset? They don’t behave as though they failed to prevent an assassination attempt.”

Cardan shrugs. “I believe the guards think I was taking aim at my guests.”

I take a step closer and notice a few drops of blood on one of the disarranged pillows. There are a few scattered white flowers, too, seeming to grow out of the fabric. “Did someone else get hit?”

He nods. “The bolt hit her leg, and she was screaming and not making very much in the way of sense. So you see how someone might conclude that I shot her when no one else was around. The actual shooter went back into the walls.” He narrows his eyes at the Ghost and me, tilting his head, accusation burning in his gaze. “There seems to be some sort of secret passageway.”

The Palace of Elfhame is built into a hill, with High King Eldred’s old apartments at the very center, their walls crawling with roots and blooming vines. The whole Court assumed that Cardan would take those, but he moved to the farthest place possible from them, at the very peak of the hill, with crystal panes set into the earth like windows. Before his coronation, they had belonged to the least favored of the royal household. Now the residents of the palace scramble to rearrange themselves so they can be closer to the new High King. And Eldred’s rooms—abandoned and too grand for anyone else to rightfully claim—remain empty.