“You are moving very fast,” says Randalin. “Ought we not yet consider that the treaty might still hold?”

“What good does it do to consider that?” asks Mikkel with a sidelong glance at Nihuar. “The Unseelie Courts do not survive on wishes.”

The Seelie representative purses her small insect-like mouth.

“The stars say that this is a time of great upheaval,” says Baphen. “I see a new monarch coming, but whether that’s a sign of Cardan deposed or Orlagh overturned or Nicasia made queen, I cannot say.”

“I have a plan,” says Madoc. “Oak will be here in Elfhame very soon. When Orlagh sends her people after him, I mean to catch her out.”

“No,” I say, surprising everyone into looking my way. “You’re not going to use Oak as bait.”

Madoc doesn’t seem particularly offended by my outburst. “It may seem that’s what I am doing—”

“Because you are.” I glare at him, remembering all the reasons I didn’t want Oak to be High King in the first place, with Madoc as his regent.

“If Orlagh plans to hunt Oak, then it’s better we know when she will strike than wait for her to move. And the best way to know is to engineer an opportunity.”

“How about removing opportunity instead?” I say.

Madoc shakes his head. “That’s nothing but the wishes Mikkel cautioned against. I’ve already written to Vivienne. They plan to arrive within the week.”

“Oak can’t come here,” I say. “It was bad enough before, but not now.”

“You think the mortal world is safe?” Madoc scoffs. “You think the Undersea cannot reach him there? Oak is my son, I am the Grand General of Elfhame, and I know my business. Make any arrangement you like for protecting him, but leave the rest to me. This is no time for an attack of nerves.”

I grind my teeth. “Nerves?”

He gives me a steady look. “It’s easy to put your own life on the line, isn’t it? To make peace with danger. But a strategist must sometimes risk others, even those we love.” He gives me a significant look, perhaps to remind me that I once poisoned him. “For the good of Elfhame.”

But I bite my tongue again. This is not a conversation that I am likely to get anywhere with in front of the entire Council. Especially since I’m not sure I’m right.

I need to find out more of the Undersea’s plans, and I need to do so quickly. If there’s any alternative to risking Oak, I mean to find it.

Randalin has more questions about the High King’s personal guard. Madoc wants the lower Courts to send more than their usual allotment of troops. Both Nihuar and Mikkel have objections. I let the words wash over me, trying to corral my thoughts.

As the meeting breaks up, a page comes up to me with two messages. One is from Vivi, delivered to the palace, asking me to come and bring her and Oak and Heather to Elfhame for Taryn’s wedding in a day’s time—sooner even than Madoc suggested. The second is from Cardan, summoning me to the throne room.

Cursing under my breath, I start to leave, then Randalin catches my sleeve.

“Jude,” he says. “Allow me to give you a word of advice.”

I wonder if I am about to be scolded.

“The seneschal isn’t just the voice of the king,” he says. “You’re his hands as well. If you don’t like working with General Madoc, find a new Grand General, one who hasn’t previously committed treason.”

I knew that Randalin was often at odds with Madoc in Council meetings, but I had no idea he wanted to eliminate him. And yet, I don’t trust Randalin any more than I do Madoc.

“An interesting thought,” I say in what I hope is a neutral manner before making my escape.

Cardan is lounging sideways on the throne when I come in, one long leg hanging over an armrest.

Sleepy revelers party yet in the great hall, around tables still piled high with delights. The smell of freshly turned earth and freshly spilled wine hangs in the air. As I make my way to the dais, I see Taryn asleep on a rug. A pixie boy I do not know slumbers beside her, his tall dragonfly wings twitching occasionally, as though in dreams of flight.

Locke is wide awake, sitting on the edge of the dais, yelling at musicians.

Frustrated, Cardan shifts, legs falling to the floor. “What exactly is the problem here?”

A boy with the lower half of a deer steps forward. I recognize him from the Hunter’s Moon revel, where he played. His voice shakes when he speaks. “Your pardon, Your Majesty. It is only that my lyre was stolen.”

“So what are we debating?” Cardan says. “A lyre is either here or gone, is it not? If it’s gone, let a fiddler play.”

“He stole it.” The boy points to one of the other musicians, this one with hair like grass.

Cardan turns toward the thief with an impatient frown.

“My lyre was strung with the hair of beautiful mortals who died tragically young,” sputters the grass-haired faerie. “It took me decades to assemble and was not easy to maintain. The mortal voices sung mournfully when I played. It could have made even yourself cry, begging your pardon.”

Cardan makes an impatient gesture. “If you are done with bragging, what is the meat of this matter? I have not asked you about your instrument, but his.”

The grass-haired faerie seems to blush, his skin turning a darker green—which I suppose is not actually the color of his flesh but of his blood. “He borrowed it of an eve,” he says, pointing toward the deer-boy. “After that, be became obsessed and would not rest until he’d destroyed it. I only took his lyre in recompense, for though it is inferior, I must play something.”

“You ought to punish them both,” says Locke. “For bringing such a trivial concern before the High King.”

“Well?” Cardan turns back to the boy who first claimed his lyre was stolen. “Shall I render my judgment?”

“Not yet, I beg of you,” says the deer-boy, his ears twitching with nerves. “When I played his lyre, the voices of those who had died and whose hair made the strings spoke to me. They were the true owners of the lyre. And when I destroyed it, I was saving them. They were trapped, you see.”

Cardan flops onto his throne, tipping back his head in frustration, knocking his crown askew. “Enough,” he says. “You are both thieves, and neither of you particularly skilled ones.”

“But you don’t understand the torment, the screaming—” Then the deer-boy presses a hand over his mouth, recalling himself in the presence of the High King.

“Have you never heard that virtue is its own reward?” Cardan says pleasantly. “That’s because there’s no other reward in it.”

The boy scuffs his hoof on the floor.

“You stole a lyre and your lyre was stolen in turn,” Cardan says softly. “There’s some justice in that.” He turns to the grass-haired musician. “And you took matters into your own hands, so I can only assume they were arranged to your satisfaction. But both of you have irritated me. Give me that instrument.”

Both look displeased, but the grass-haired musician comes forward and surrenders the lyre to a guard.

“Each of you will have a chance to play it, and whosoever plays most sweetly, you will have it. For art is more than virtue or vice.”