This Savage Song Page 3

“Then why—”

“You know why, Dad,” she said, cutting him off. “You know what I want.” She listened to him exhale on the other side of the line, and tipped her head back against the leather. The transport’s sky roof was open, and she could see the stars dotting the heavy dark.

“I want to come home.”

AUGUST


It began with a bang.

August read the words for the fifth time without taking them in. He was sitting at the kitchen counter, rolling an apple in circles with one hand and pinning open a book about the universe with the other. Night had swept in beyond the steel-shuttered windows of the compound, and he could feel the city pulling at him through the walls. He checked his watch, the cuff of his shirt inching up to reveal the lowest of the black tally marks. His sister’s voice drifted in from the other room, though the words weren’t meant for him, and from the nineteen floors below he could hear the layered noise of voices, the rhythm of boots, the metallic snap of a gun being loaded, and the thousand other fragmented sounds that formed the music of the Flynn compound. He dragged his attention back to the book.

It began with a bang.

The words reminded him of a T. S. Eliot poem, “The Hollow Men.” Not with a bang but a whimper. Of course, one was talking about the beginning of life and the other about the end, but it still got August thinking: about the universe, about time, about himself. The thoughts fell like dominoes inside his head, one knocking into the next into the next into the—

August’s head flicked up an instant before the steel kitchen door slid open, and Henry came in. Henry Flynn, tall and slim, with a surgeon’s hands. He was dressed in the task force’s standard dark camo, a silver star pinned to his shirt, a star that had been his brother’s once and before that his father’s and before that his great-uncle’s, and on, rolling back fifty years, before the collapse and the reconstruction and the founding of Verity, and probably even before, because a Flynn had always been at the beating heart of this city.

“Hi, Dad,” said August, trying not to sound like he’d been waiting all night for this.

“August,” said Henry, setting an HUV—high-density UV beacon—on the counter. “How’s it going?”

August stopped rolling the apple, closed the book, forced himself to sit still, even though a still body was a busy mind—something to do with the potential and kinetic energy, if he had to guess; all he knew was that he was a body in search of motion.

“You okay?” asked Henry when he didn’t answer.

August swallowed. He couldn’t lie, so why was it so hard to tell the truth?

“I can’t keep doing this,” he said.

Henry eyed the book. “Astronomy?” he said asked with false lightness. “So take a break.”

August looked his father in the eyes. Henry Flynn had kind eyes and a sad mouth, or sad eyes and a kind mouth; he could never keep them straight. Faces had so many features, infinitely divisible, and yet they all added up to single, identifiable expressions like pride, disgust, frustration, fatigue—he was losing his train of thought again. He fought to catch it before it rolled out of reach. “I’m not talking about the book.”

“August . . . ,” started Henry, because he already knew where this was going. “We’re not having this discussion.”

“But if you’d just—”

“The task force is off the table.”

The steel door slid open again and Emily Flynn walked in with a box of supplies and set them on the counter. She was a fraction taller than her husband, her shoulders broader, with dark skin, a halo of short hair, and a holster on her hip. Emily had a soldier’s gait, but she shared Henry’s tired eyes and set jaw. “Not this again,” she said.

“I’m surrounded by the FTF all the time,” protested August. “Whenever I go anywhere, I dress like them. Is it such a step for me to be one of them?”

“Yes,” said Henry.

“It isn’t safe,” added Emily as she started unpacking the food. “Is Ilsa in her room? I thought we could—”

But August wouldn’t let it go. “Nowhere is safe,” he cut in. “That’s the whole point. Your people are out there risking their lives every day against those things, and I’m in here reading about stars, pretending like everything is fine.”

Emily shook her head and drew a knife from a slot on the counter. She started chopping vegetables, creating order of chaos, one slice at a time. “The compound is safe, August. At least safer than the streets right now.”

“Which is why I should be out there helping in the red.”

“You do your part,” said Henry. “That’s—”

“What are you so afraid of?” snapped August.

Emily set the knife down with a click. “Do you even have to ask?”

“You think I’ll get hurt?” And then, before she could answer, August was on his feet. In a single, fluid move he took up the knife and drove it down into his hand. Henry flinched, and Emily sucked in a breath, but the blade glanced off August’s skin as if it were stone, the tip burying in the chopping block beneath. The kitchen went very quiet.

“You act as though I’m made of glass,” he said, letting go of the knife. “But I’m not.” He took her hands, the way he’d seen Henry do so many times. “Em,” he said, softly. “Mom. I’m not fragile. I’m the opposite of fragile.”

“You’re not invincible, either,” she said. “Not—”

“I’m not putting you out there,” Henry cut in. “If Harker’s men catch you—”

“You let Leo lead the entire task force,” countered August. “His face is plastered everywhere, and he is still alive.”

“That’s different,” said Henry and Emily at the same time.

“How?” he challenged.

Emily brought her hands to August’s face, the way she did when he was a child—but that wasn’t the right word. He’d never been a child, not really, children didn’t come together fully formed in the middle of a crime scene. “We just want to protect you. Leo’s been part of the campaign from day one. But that makes him a constant target. And the more ground we gain in this city, the more Harker’s men will try to exploit our weaknesses and steal our strengths.”

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