This Savage Song Page 52
“Kate.”
August scrambled over, knelt in front of her, and took her face in his hands. “Kate, wake up.”
“Where are you?” she murmured.
“I’m right here.”
“No . . . ,” she mumbled, “not how it works . . .” but she was already sliding back into unconsciousness.
“I’m sorry,” he said, right before he squeezed her wounded shoulder. Her eyes flashed open as she let out a cry and kicked him in the chest. He stumbled backward, rubbing his ribs as she muttered, “I’m okay.”
“Why didn’t you say anything?” he asked, squinting to see the damage in the low light.
Kate shook her head, and he couldn’t tell if that was an answer or if she was trying to shake off the haze.
He grabbed the flashlight. “Let me see,” he said, snapping it on, and then wishing he hadn’t. Her stomach was slick with blood.
“I’ll be okay . . . ,” she said, but the words were dulled, and she didn’t fight him as he guided her onto her back along the bench, only swore when he peeled the shirt up from her hip. He told himself the cussing was a good sign; it meant she was conscious, but when he saw the wound, he still cringed. Two razor-sharp gashes—claw marks—ran from the curve of her ribs to her navel. They hadn’t torn anything vital, but the cuts were deep, and she’d lost a lot of blood.
“Listen to me,” he said, pulling off his coat. “You need to stay awake.”
She almost laughed, a shallow chuckle cut short by pain.
He tore the lining from the Colton jacket. “What’s so funny?”
“You’re a really shitty monster, August Flynn.”
He pressed the lining against Kate’s stomach, eliciting another string of curses. Then he got up and scoured the car for an emergency kit.
“Talk to me, Kate,” he said, searching. “Where are you?”
She swallowed, then said, “On a lake.”
“I’ve never been to a lake.” He found a first-aid box mounted behind a set of benches on the back wall and, returning with some disinfectant spray and some gauze, knelt beside her. “Tell me what it’s like.”
“Sunny,” she said sleepily. “The boat is rocking and the water’s warm and blue and full of”—she hissed at the disinfectant— “fish.”
“You need stitches,” he said, cinching the gauze around the wound.
“No problem,” she said, a fresh edge in her voice. “We can just pop up to street level and over to the nearest hospital. I’m sure no one will notice that Kate Harker and a Sunai—owwww,” she cut off as August put pressure on her stomach.
“We don’t need a hospital,” he said calmly. “But we do need a suture kit.”
“If you think I’m letting you near me with a needle and thread—”
“My father is a surgeon.”
“Stop calling him that,” she snapped, leveraging herself up to a sitting position with a hiss. “He’s not your father. He’s a human, and you’re a monster working for him.”
August went still.
“What? Nothing to say now? Oh that’s right, you can’t tell lies.”
“Henry Flynn is my family,” he snarled. “And I’m willing to bet he’s been a better father than yours.”
“Fuck off.” Kate slumped back, breathing through gritted teeth. “Why would you even want to be human? We’re fragile. We die.”
“You also live. You don’t spend every day wondering why you exist, but don’t feel real, why you look human, but can’t be. You don’t do everything you can to be a good person only to have it constantly thrown in your face that you’re not a person at all.”
He stopped, breathless.
Kate looked at him hard. He waited, gave her a chance to speak, but she didn’t. He shook his head, turned away.
“August,” she started.
And then a loud hum filled the air.
Electricity crackled through the tunnels and Kate and August both looked up sharply as the power was reconnected, and the lights in the subway car flickered and came on.
“Oh no,” said August at the same time Kate said, “Finally.”
She looked paler in the full light of the car, the blood a violent red where it dotted the metal floor and streaked the bench.
“We have to go,” said August, getting to his feet. “Now.” He pointed up when he said it, and Kate looked at the ceiling and noticed the series of small red dots. Surveillance cameras.
“Shit,” she muttered, hauling herself to her feet with the help of a pole. She let out a hiss of pain, and August started back toward her but she cut him off. “Just get the door.”
He slung the violin onto his shoulder, and pried the train door open. The tunnel beyond wasn’t fully lit, but bands of UVR light now ran like tracery down the length of the walls, and the Corsai were gone.
August offered Kate a hand down from the train car but she didn’t take it, and he had to catch her arm when she landed and nearly fell. She shook him off and started down the tunnel toward the nearest station, careful to keep her feet on the wood between the rails. August picked his way behind her, ears tuned for the sound of moving trains, but the service clearly hadn’t started yet, or if it had, it hadn’t reached them. Where were they? How far had they made it in the night? Not to the end of the line, that much was clear, but he could hear the pulse of the city fading with every step.
They reached the nearest station and climbed off the tracks and onto the platform—Kate finally let him help—as the grates across the subway doors above began to grind open, and people spilled in.
They were the only ones moving up the stairs instead of down, and August looped his arm gingerly around her, remembering the way they’d knitted together the night before, turning themselves from two people into a couple. But it felt different now, with Kate leaning into him a little too hard, his jacket pulled tight around her, and his bloodstained hand shoved in the pocket, and he felt the eyes lingering instead of sliding off.
People shook rain from their coats and folded their umbrellas as they descended from the street, and August nicked one from a newsstand near the base of the steps, opening it over them as they climbed the stairs toward the promise of morning light.