“We are not as proficient in the old Greek as we would prefer,” says the mid-sized one.

Her finger does not shake as she sets it to the parchment. “Nature,” she reads,

has made the Hedgehog prudent and experienced in providing for its own wants. Thus, since it needs food to last a whole year, and since every…

All three men resume trilling like sparrows. The smallest begs her to continue, and she muddles through another few lines, strange observations about the habits of anchovies, then of some creature called a clapperbill, and the tallest and best-dressed of them stops her and walks among the scrolls and homiliaries and writing implements and stands staring into a cupboard as though into a distant landscape.

Beneath a table, a melon rind foams with ants. Anna feels as if she has entered some slip of Homer’s song about Ulysses, as if the gods are whispering to each other high on Olympus, then reaching down through the clouds to arrange her fate. In his splintery Greek the tall one asks: “Where did you get this?”

Himerius says, “A hidden place, very hard to get to.”

“A monastery?” asks the tall man.

Himerius gives a tentative nod, and all three Italians look at each other, and Himerius nods some more, and soon everyone is nodding.

“Where in the monastery,” says the smallest of them, removing the other manuscripts from the sack, “did you find it?”

“A chamber.”

“A large chamber?”

“Small to average to large,” says Himerius.

All three men start talking at once.

“And are there other manuscripts like this one?”

“How are they arranged?”

“On their backs?”

“Or stood up in stacks?”

“How many are there?”

“How is the room decorated?”

Himerius puts a fist to his chin, pretending to sift through his memory, and the three Italians watch him.

“The room is not large,” Anna says. “I could not see any adornments. It was round and once had arches in its ceiling. But the roof is broken now. There were other books and scrolls stacked in recesses like cookware.”

Excitement cascades through the three men. The tallest one rummages inside his fur-trimmed coat and takes out a bag of money and pours coins into his palm. Anna sees gold ducats and silver stavrata and morning light dances across the writing tables and she is suddenly dizzy.

“Our lord,” says the tall Italian, “he puts a finger in every dish, you know this phrase? Shipping, trade, liturgical, soldiering. But his real interest, his love, so to speak, is locating manuscripts from the antique world. He believes all the best thinking was done a thousand years ago.”

The man shrugs. Anna cannot take her eyes off the money.

“For the animal text,” he says, and gives Himerius a dozen coins, and Himerius gapes, and the medium-sized man picks up a quill and trims its tip with a blade, and the smallest says, “Bring us more and we will pay you more.”

* * *

As they leave the courtyard, the morning is glorious, the sky rosy, the fog burning away, and Anna follows Himerius’s long strides as they wind their way through a row of tall, beautiful wooden houses—which seem taller and more beautiful now—joy cartwheeling through her, and at the first market they pass a vendor is already frying flatcakes stuffed with cheese and honey and bay leaves, and they buy four, and stuff them into their mouths, the grease hot on the back of her throat, and Himerius counts out her share of the money, and she buries the heavy, bright coins beneath the sash of her dress, and hurries through the shadow of the church of Saint Barbara, then through a second, larger market full of carts and fabrics, oil in wide-lipped jugs, a knife-sharpener setting up his wheel, a woman reaching to pull the cloth off a birdcage, a child carrying October roses in bunches, the avenue filling with horses and donkeys, Genoese and Georgians, Jews and Pisans, deacons and nuns, moneychangers, musicians and messengers, two gamblers already throwing oxhorn dice, a notary carrying documents, a nobleman pausing at a stall while a servant holds a parasol high above his head, and if Maria wants to buy angels, she can buy them now; they’ll flutter around her head and batter her eyes with their wings.

THE ROAD TO EDIRNE

THAT SAME AUTUMN

Omeir

Nine miles from home they pass the village where he was born. The caravan halts in the road while heralds ride among the houses enlisting more men and animals. Rain falls steadily and Omeir shivers inside his oxhide cape and watches the river roar past, full of debris and foam, and remembers how Grandfather would say that the littlest streams, high on the mountain, small enough to dam with your hand, would eventually join the river, and that the river, though quick and violent, was but a drop in the eye of the great Ocean that encircles all the lands of the world, and contains every dream everyone has ever dreamed.

Daylight drains from the valley. How will his mother and Nida and Grandfather survive the winter? Practically all of their stores have disappeared into the mouths of the riders around him. Piled on the dray behind Tree and Moonlight is most of the family’s seasoned wood, and half of their barley. They have Leaf and Needle and the goat. A last few pots of honey. They have hope that Omeir will return with spoils from war.

Moonlight and Tree stand patiently in their yoke, horns dripping, backs steaming, and the boy checks their hooves for stones and their shoulders for cuts and envies that they seem to live only in the moment, without dread for what is to come.

* * *

That first night the company camps in a field. Karst megaliths stand on ridge lines high above them like the watchtowers of races long since perished, and ravens go squawking up over the camp in great noisy legions. After dark the clouds tear away and the frayed banner of the Milky Way unfurls overhead. Around the fire nearest Omeir teamsters speak in myriad accents about the city they are traveling to conquer. The Queen of Cities, they call it, bridge between East and West, crossroads of the universe. In one version it is a seedbed of sin where heathens eat babies and copulate with their mothers; in the next it is a place of unthinkable prosperity, where even the paupers wear earrings of gold and the whores use pisspots encrusted with emeralds.

An old man says he has heard the city is protected by huge, impenetrable walls and everyone falls silent a moment until a young oxherd named Maher says, “But the women. Even a boy as ugly as him can wet his dick in that place.” He points at Omeir and there is laughter.

Omeir drifts off into the dark and finds Moonlight and Tree grazing at the far end of the field. He rubs their flanks and tells them not to be afraid but it’s not clear if he is trying to soothe the animals or himself.

* * *

In the morning the road drops into a gorge of dark limestone and the wagons bottleneck at a bridge. Riders dismount and drivers shout and strike animals with whips and switches, and both Tree and Moonlight defecate from fear.

A terrible lowing flows through the animals. Slowly Omeir talks the oxen forward. When they reach the bridge he sees that it has no curb or rail but consists only of skinned logs lashed together with chains. Sheer walls, studded here and there with spruce trees growing from impossibly steep perches, drop almost straight down, and far below the log-deck, the river roars fast and loud and white.